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Entertainment & Media Law Signal

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No lying, no tricks – The duty of honest performance for option rights in entertainment contracts

By Bob Tarantino
  • Contracts
  • General
  • Movies
  • Music
  • Television

Not dead yet: The sunset clause in personal representative agreements

By Bob Tarantino
  • Contracts
  • Financing
  • General
  • Tax/Tax Credits

Financing fundamentals: Lessons learned from Grosvenor v Arc

By Bob Tarantino, Jim Russell, and Ken Kraft
  • Contracts

Unconscionability and Its Discontents: Heller for Entertainment Lawyers

By Bob Tarantino
  • Contracts
  • General

Back to the basics: Five W’s for drafting morals clauses

By Bob Tarantino and Caitlin Choi
  • Contracts
  • Movies
  • Music
  • Television

Dealing with distribution delays due to COVID-19

By Bob Tarantino, Caitlin Choi, and David Steinberg
  • Contracts
  • Movies
  • Television

What makes a good “morals clause”?

By Caitlin Choi
  • Contracts
  • Movies
  • Television

“Lights, Camera…Take-off”: Legal Considerations When Hiring a Drone Services Operator for Filming

By Kathryn McCulloch
  • Contracts

Shopping Agreements: The Pros and Cons as Compared to Option Agreements

By Alex Eckler
  • Contracts
  • Movies
  • Television

Ontario Passes Protecting Child Performers Act

By Bob Tarantino
  • Contracts

I Want What She’s Getting – “Favored Nations” Clauses in Entertainment Contracts

By Bob Tarantino
  • Contracts
  • Music

Ginuwine Concerns for Management Contracts

By Bob Tarantino

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