2011 Clawbies Nominations

The 2011 Canadian Law Blog Awards (the Clawbies) nomination season closed yesterday - but, happily, I was able to tweet my nominations last week.  Steve Matthews maintains a running list of nominations, and though I'm beyond the deadline, I'd like to take the chance to explain further the reasons for the selection of my nominees.

  • Condo Reporter.  This is a repeat from my list of nominees for the 2010 Clawbies, but I can't think of a blog more deserving of recognition than Heenan Blaikie's Condo Reporter.  I am consistently impressed by the efforts of the HB Condominium Legal Team - Condo Reporter offers informative content updated on a relentless schedule, from a variety of contributors.  I may be biased because I own a condo, but I almost always learn something new when there's a CR update, so I genuinely look forward to seeing their name pop up in my Google Reader.  What makes CR even more impressive is that they're contributing to a blawging niche which already has numerous other Canadian providers - but I think, and not just because they're colleagues, that CR remains the best of the condo law blawgs.  It's also one of the best-looking blogs I've come across, with a pleasing colour-scheme and great use of photos to supplement posts.
  • Workplace Wire.  Yes, another Heenan Blaikie blog, but there's no nepotism here: a blog which provides as much information, on such a consistently updated basis, from so many contributors, and manages to make interesting to this reader an area of law for which I otherwise have no affinity, richly deserves recognition.  Even better, Workplace Wire manages to inject some personality into their coverage of labour, employment and pension law - I can expect to find critical assessments of the state of the law and judicial/tribunal decisions, a welcome change of pace from the fate which awaits many big firm blawgs.
  • Wise Law Blog.  In my 2010 Clawbie nominations, I avoided heaping praise on what I viewed as the "pillars" of the Canadian law blogging community - I'm waiving that approach when it comes to Garry J. Wise.  In what I have learned is his trade-mark understated manner, Garry is one of the leaders of the Canadian blawging community, and while he is reluctant to sing his own praises, I'm happy to do so (even though Garry's the one with the singing and songwriting chops).  I had the pleasure of co-promoting the January 2011 blogstravaganza with Garry (there were even more attendees than are reflected in that picture which Omar had the foresight to take and post), and Garry was gracious enough to ask me to participate in the LSUC Ethical Considerations in an Age of Technology CPD programs which Garry chaired.  I knew Garry was a macher in the Toronto law blogging community, but it was with that LSUC program that I got to see him in action: he put together a program which was a massive success, attracting something north of 4,000 online attendees, resulting in a flood of Twitter commentary (#LSUCethics) and prompting dozens upon dozens of questions from viewers.  I said it when I first met Garry in person and I'll repeat it now: what makes Garry one of the best Canadian blawgers (which, given the variety of online platforms he uses is probably a little too constricting of a term) is that he is willing to make his online presence unashamedly and undilutedly him.  Whether through his blog, his Twitter feed (@wiselaw) or his YouTube contributions, you're never going to mistake what you're getting for someone else's "voice" - creative, political, thoughtful, funny, Garry provides dispositive evidence that lawyers with an online presence don't need to be bland, buttoned-down or afraid to let their personalities shine through.

To echo what I said in 2010, 2011 continued to be a great time to be a reader of Canadian law blogs, and here's hoping that continues into 2012 (and beyond).

2011 Top Canadian Entertainment and Media Law Stories

2011 is not yet over, but in proud maintenance of our tradition, we offer our humble thoughts on this year's most noteworthy Canadian entertainment and media law stories (a special shout-out to my partner Stephen Zolf for his co-authorship of this list).  Without further ado, and in no particular order:

  • Bill C-11

Just like in 2010, copyright reform occupied a lot of bandwidth this past year: Bill C-11 (The Copyright Modernization Act) was the successor to Bill C-32 (The Copyright Modernization Act), which died on the order paper when the Canadian Parliament was prorogued for the May 2011 election.  Since not a letter was altered as between the two bills, and since the outpouring of commentary on the bill was largely the same in content as that on the old bill, we will simply reiterate what we said last year: if passed in its current form, Bill C-11 would have significant impact on creators (such as the new photograph provisions), owners (such as the new TPM protections) and users (such as the expansion of fair dealing or the user-generated content provision) - basically everybody who affects or is affected by copyrighted works. (Signal coverage on Bill C-11 is collected here.)

  • Terms of Trade

In the world of Canadian television production, there is little that was bigger news than the April announcement by the Canadian Media Production Association (CMPA) and five of Canada’s largest private broadcasters that they had entered into a “Terms of Trade agreement” (TTA). The TTA will have a significant and continuing impact on the way in which the Canadian television industry conducts the business of commissioning and licensing new television productions.  (Signal coverage on the Terms of Trade is collected here.)

  • Crookes v Newton

The Supreme Court of Canada's decision in Crookes v. Newton 2011 SCC 47 drew a very "bright line" test in holding that a hyperlink to defamatory content does not constitute publication of the defamation and can only constitute publication if the creator of the hyperlink actually repeats the libel.  Commentators dove into the decision in an effort to parse out the implications of the three sets of concurring decisions - and also to read the entrails about whether the decision would have any impact on future decisions regarding hyperlinking to websites which contain copyright infringing material.  (Signal coverage on Crookes v Newton is collected here.)

  • Turmel v CBC (Dragon's Den)

For Canadian entertainment lawyers, sometimes even the most seemingly trivial decisions have profound importance: in 2011, in the case of Turmel v CBC (Dragon's Den), the Ontario Superior Court of Justice (subsequently affirmed by the Ontario Court of Appeal, with leave to appeal denied by the Supreme Court of Canada) confirmed the enforceability of "depiction releases" signed by participants in television shows.  The plaintiff had objected to what he viewed as the denigrating manner in which he was portrayed on the TV show Dragon's Den - the court held his suit was barred by the release he had signed. (Signal coverage on Turmel v CBC (Dragon's Den) is here.)

  • CBSC's "Money for Nothing" Decision

In a year replete with interesting decisions from the Canadian Broadcast Standards Council (CBSC), the ongoing "Money for Nothing" drama was surely the most eye-catching.  In January 2011, the CBSC publicly released its decision holding that radio broadcasts of the Dire Straits' song "Money for Nothing" which included use of the word "f****t" were in contravention of Clause 2 of the CAB Code of Ethics, and Clauses 2, 7 and 9 of the CAB Equitable Portrayal Code.  Following a storm of public criticism, the CRTC (the federal telecommunications regulator) asked the CBSC to reconsider its decision (which was particularly odd since the CRTC has no actual authority over the CBSC).  In August 2011, an "ad hoc national panel" of the CBSC released a "revised" decision in the matter: using "the other f-word" in radio broadcasts is, in general, inappropriate and a violation of the Code of Ethics and the Equitable Portrayal Code, however, in the context of this song, the use of the word "f****t" was acceptable (because it was in furtherance of the artistic device of portraying the intolerant individual from whose perspective the lyrics of the song are being sung).  (Signal coverage of the whole "Money for Nothing" saga is here.)

  • CRTC responds to increased vertical integration

The CRTC approved the acquisition by BCE Inc. of CTVglobemedia in March of 2011. In response to this and several previous major media transactions over the last five years (including Quebecor Media Inc.’s acquisition of TVA, the transfer of five Citytv stations to Rogers Media Inc., and the 2010 acquisition by Shaw Communications Inc. of the assets of Canwest Global), the CRTC issued its vertical integration policy in September 2011. Among the CRTC’s key determinations is that companies who are vertically integrated (owning both television programming services and broadcasting distribution operations) will henceforth be prohibited from offering program broadcast on television, including hockey games and other live events, on an exclusive basis to their mobile or Internet subscribers. These programs must be made available to competitors under fair and reasonable terms. Only those programs produced specifically for an Internet portal or a mobile device (e.g., behind-the-scenes video clips) may be offered to Internet or mobile customers exclusively. The CRTC also implemented measures to ensure that independent distributors and broadcasters are treated fairly by large vertically integrated companies. In a tilt to consumers, the CRTC encouraged television broadcasting distributors to give customers more flexibility in choosing programming packages (the large vertically integrated companies must submit a report to the CRTC by April 1, 2012, detailing the steps they have undertaken to respond to consumer demands). And significantly, the CRTC established a code of conduct to govern the commercial relationship between broadcast distributors, programming services and new media content providers to prevent anti-competitive behaviour (it is noteworthy that in a subsequent amendment to the policy, the CRTC “clarified” that the Code of Conduct is not mandatory on vertically integrated companies but rather “prescriptive” in nature, accordingly modifying the anti-competitive prohibition in the Code from “shall not” to “should not”).

  • CRTC will not regulate “over-the-top” (OTT) providers

In its “Results of the fact-finding exercise on the over-the-top programming services”, the CRTC determined that itwill not "at this time" consider a general review of its New Media Exemption Order which currently exempts OTT providers such as Netflix and other new media undertakings from CRTC regulatory obligations. According to the CRTC, there was no evidence before it to conclude that OTT is having a negative impact on the ability of the broadcasting system to achieve “legislative policy objectives” or that OTT has harmed the traditional broadcast system. The CRTC has, for now, rejected proposals to lessen the regulatory obligations of licensed traditional broadcasters in response to the entry of OTT providers.  One cautionary note: the CRTC acknowledged that OTT providers have reshaped the broadcasting landscape in a very short time and, therefore, it will maintain a watching brief on OTT and conduct another fact-finding exercise in May 2012 “to determine if the scenarios put forth by parties with respect to potential regulatory impacts and opportunities have materialized.”

  • CRTC rejects UBB at the wholesale level

In a November 2011 Decision, the CRTC effectively foreclosed the practice of large telephone and cable companies adopting usage-based billing (“UBB”) as a means of managing traffic on their networks when they provide broadband access to wholesale independent ISP customers. UBB was applied by the telcos and cabelcos when the independent ISPs’ individual retail customers exceeded monthly download caps. Pursuant to the CRTC’s ruling, the sale of wholesale bandwidth to independent ISPs will now be effected on a monthly basis in which independent ISPs will have to determine in advance the amount they need to serve their retail customers and then manage network capacity until they are able to purchase more. Alternatively, large companies can continue to charge independent ISPs a flat monthly fee for wholesale access, regardless of how much bandwidth their customers use.

  • CRTC backs off on amending the “false and misleading news” prohibition on broadcasters

In a May 2011 ruling, the CRTC determined that it would not proceed with proposed amendments to its regulations that currently prohibit a broadcaster from broadcasting programs that contain false or misleading news. The impetus for the amendments was the Parliamentary Standing Joint Committee for the Scrutiny of Regulations (SJC) which expressed concerns that the existing false or misleading news provisions might not be in keeping with the freedom of expression provision under section 2(b) of the Charter and the ruling of the Supreme Court of Canada in R. v. Zundel. To address these concerns, the CRTC had proposed (see here and here) to amend the relevant provisions such that the prohibition would be narrowed to “news that the licensee knows is false or misleading and that endangers or is likely to endanger the lives, health or safety of the public.” After significant controversy and public comment that the proposed amendments would effectively remove scrutiny over programming standards on controversial services such as Fox News, the CRTC backed off and decided that “the public interest requires the continuation of the prohibition as currently enacted, to ensure that the programming originated by broadcasting undertakings be of a high standard, as required under the Broadcasting Act. At the same time, though, the CRTC noted that it would be guided by the statutory mandate that the Act “shall be construed and applied in a manner that is consistent with the freedom of expression and journalistic, creative and programming independence enjoyed by broadcasting undertakings”. The CRTC also stated that, in light of the protections afforded by section 2(b) of the Charter and the objectives set out in the Act, in order to take action on a complaint relating to the breach of the false or misleading news provisions, such contravention must constitute the “the most flagrant excess”. 

You're Getting Sued for What? An E&O Odyssey (Pt 4)

This post is part of an occasional series highlighting the type of risks which film and TV producers face and which are supposed to be covered by E&O insurance, and which aims to demonstrate that what might seem to a producer to be paranoia on the part of their lawyer is, in fact, well-founded.  These posts will point to actual lawsuits which have been filed against film/TV producers for various alleged rights infringements (whether copyright, trade-mark, right of publicity, or otherwise) - and which inform the nit-picking approach taken by producer's counsel.

As reported by Matthew Belloni at Hollywood, Esq., the producers of "The Hangover: Part II" are being sued by Louis Vuitton Malletier, S.A., the luxury fashion manufacturer:

Luxury fashion brand Louis Vuitton filed suit in federal court in New York on Thursday alleging that a handbag featured in the movie is a fakery. In the scene, the character played by Zach Galifianakis carries a bag marked LVM and admonishes another character: “Careful, that is.. that is a Louis Vuitton.”

But the complaint (posted in full here by Paid Content) alleges that the bag is instead made by the Chinese American company Diophy, which Louis Vuitton is currently suing in an attempt to prevent knock-off items from being sold in the U.S.

Louis Vuitton says it has been damaged by the consumer confusion ("Careful, that is a Louis Vuitton." has supposedly become a catchphrase) and claims that Warners has refused to alter the scene before the movie is released on DVD.

A copy of the complaint is available here.  A recording of the scene in question is, at least for the moment, available here on YouTube.

The complaint (the "statement of claim", in Canadian legalese) asserts that the movie "prominently features an infringing travel bag ... and misrepresents that the [infringing bag] is a genuine Louis Vuitton piece of luggage". (Query whether a bag which appears on-screen for less than ten seconds is "prominently featured", but let's leave that aside for now.)  The basis of the action is primarily trade-mark related: the plaintiff asserts that the use of the bag will give rise to consumer confusion and lead viewers to conclude that Louis Vuitton authorized or otherwise condoned the use of the infringing bag.

The suit is particularly notable for at least two reasons: the brevity of the on-screen use which has given rise to the lawsuit, and the fact that it is a verbal reference to the brand which seems to have triggered the lawsuit - I suspect that many entertainment lawyers would have advised that a non-derogatory verbal usage of a brand name would not require clearance or otherwise give rise to potential liability.

Turmel v CBC (Dragon's Den): Leave to SCC Denied

Following up on a story we discussed earlier this year (Turmel v CBC (Dragons' Den) - Enforceability of Depiction Releases), the Supreme Court of Canada has denied leave to appeal to the plaintiff in the case of Turmel v CBC (Dragon's Den) (trial decision here: 2011 ONSC 2400; court of appeal decision here: 2011 ONCA 519).  That caps what is an important decision for Canadian entertainment lawyers, as it confirms the enforceability of signed "depiction releases", particularly the enforceability of clauses which waive any right to sue for depictions which might be "disparaging, defamatory, embarrassing or of an otherwise unfavourable nature which may expose me to public ridicule, humiliation or condemnation".

Crookes v Newton - More Follow-up Commentary

Since October's Supreme Court of Canada decision in Crookes v. Newton 2011 SCC 47 (for previous Signal discussion on the topic, see here) there has been an outpouring of news stories and commentary, and I thought it useful to highlight the following items:

  • Paul Schabas and Jon Goheen offer a detailed consideration of the case (Supreme Court of Canada Protects Hyperlinkers), concluding: "the decision should deter many potential libel actions against bloggers and Internet forum operators in Canada, who can now rest assured that they will not be responsible for links to defamatory material unless they repeat the defamation or author new defamation"
  • Tamir Israel offers even more detailed thoughts on the Crookes decision and the issue of intermediary liability (for such matters as copyright infringement): Crookes v Newton - Speculations on Intermediary Liability (also worth reading is the discussion in the comments to the post)

Bill C-11: Commentary Round-Up (12.22.11)

Selected commentary and information on Bill C-11 (The Copyright Modernization Act):